Monday, 11 September 2017

Thought Bubble 2017

Sooner than expected I'll be sketching at the Thought Bubble con on the weekend of the 23/24th September. It's a new venue and a new month. I'll be sketching on the rotating sketch table from 1530 until 1700 each day. Not a long time, I know, but if you get to my table quickly I'll be happy to draw you something for free.

As usual I'll be taking pre-con commissions. They're the same price as they have been for the last 18 months or so. Here are some examples and the info you need.

Sketchcovers: These are £45 for b/w and £55 for colour. Double the prices for wraps. If it's multiple figures, detailed background etc then it's on a per job basis. Also, cover recreations on sketchcovers are on a per job basis. I'd be insane if I agreed to do a Perez recreation for £45 and I'm not.











A4 and A3 Copic sketches. I'm kind of moving away from these but if you want them I'll do them. £45/£90 for b/w, £55/£110 for colour. The color ones are basically a wash over the top of the copic tonal drawings.


Wonder Girl A3


Zatanna A3


Watercolours. A new thing. These are purely watercolours, no inked linework or markers or anything, proper paintings! I figured that as I made my name as a painter it'd make sense if I did painted commissions (albeit not in oils). Prices are £175-200 for A3 and round about £60 for the more portrait style A4. I'll post more examples as I finish up the ones I'm doing to sell at the con.


Poison Ivy A3


Spidey v Goblin A3


Tuesday, 29 August 2017

LSCC: Postscript

Back from the latest and all different LSCC.

Thanks to the gang at the con for once again providing an organised and friendly event. It's still one of the only comic cons in the UK where the emphasis is on comics and the artists and writers behind them and it's dedication to that in the face of an ever expanding calendar of non-comic cons should be celebrated.

I actually toyed with not attending in the days leading up to the con as I've been suffering with conjunctivitis for a few weeks (I'm pretty convinced that I picked up some sort of infection whilst playing in a park fountain with my kids in Palazzolo, Italy). I'd acquired some new eye drops however and decided to see how it went. When Russ picked me up at 0845 on the first day of the con, my left eye was stuck together and was, to say the least, itching a great deal.

I admit that I may have mentioned my eye a few times on the journey down to Russ. I like to think it took his mind off his own health issues having had a mild heart attack 3 weeks before the con and subsequently having an angioplasty and stent procedure, being weak from eating steamed veg and not beng able to enjoy coffee and cheese any longer.

It'd been a long time since we'd shared a journey together as LSCC is the first convention that I've been to this year (although Russ has attended many cons, some of which may have had some comic pros there). He enjoyed the journey immensely as he didn't have to (couldn't) drive.
Usually we'd have spent the entirety of the time talking about the book we'd spent 3 years collaborating on. However, a month or so ago I gave up and quit. I'd finished my fully edited (except for punctuation and grammar but that's a proofreaders job) part six months previously. I wasn't able to talk to Russ about his as yet unfinished part as he refused to see what he'd written as anything other than a work genius and the best thing he'd ever done. It turns out he wasn't joking, he really feels that way. I was less inclined to agree. So I stepped away, giving Russ full authority to do whatever he wanted with the entire project including all the cover art, formatting and content. I felt a great sense of relief that it was over and moved onto other written projects of my own. It turns out that Russ was right three years ago, it was a terrible idea to collaborate with one another.

Also, despite the best efforts of British Rail (Preston, the new epicentre for failed and prolonged journeys featuring general ineptitude and chaos), the journey was brief. The tube, a wonderful feat of engineering, led us to our destination without issue, and we arrived only a few minutes after the con started despite taking it easy for the sake of Russ. There weren't the usual long queues of fans waiting to enter outside the venue, but then again, we were late and it was a Friday lunchtime.


Pre con commission of Carrie Fisher.


Russ was sharing my table so he could sell his new Kirby print (a reworking of the Sgt. Pepper album cover with some ill advised character placement.) and we were sat on the upper balcony in the artist's alley room, separate from the main hall where all the retailers and major signing areas were based. It was nice and cool up there as many people who made it up to us mentioned.
I settled down and arranged all my equipment to find that I'd left my brush pen at home. An error as I use it constantly at cons. Still, it was better than a folder of art like in previous years.
I was still struggling to see properly out of my left eye, my good one, and felt the need to apologise for the appearence of my bloodshot and scabby eyes. Still, rather heroically, I started sketching almost immediately. There was a good footfall throughout the artists area and sales were brisk although the con was pretty quiet overall, which I put down to it being a working day. Russ mentioned his recent heart attack to anyone who came near the table. Thankfully, a consultant we both know introduced the correct terminology and established that the prefix 'mild' should be used when speaking about the heart attack. Thanks, Malcolm.


One I took to sell, Hulk from Thor Ragnarok

The sketches I was asked to draw over the weekend were possibly the most diverse ever. Tony Stark in a tux holding a Martini glass, Lockjaw, Scooby Doo and Shaggy, Kid Psycho, Laurel Kent, Harley Quinn, Marvel Girl, Gwen Stacy, Poison Ivy (a difficult one as I had to follow Jae Lee in a sketchbook), Toothless the Dragon, Hulk v Wolverine and others that I'll remember again soon. George, I will do the Thor one!

The time flew by and we left, cases in tow, to find food having skipped lunch. Using technology that was, until recently, unavailable to either of us, (I entered the 21st century after someone gave me an I-phone, frustrated by my unavailability) we located a Wetherspoons, handily placed across the road from the Angel tube station. I like Wetherspoons, they all have the same menu and prices no matter where you are. We missed out on the action after the con ( Jeff Chahal had a great time. He also had blue tinted hair.) as we were staying out on the Isle of Dogs at Russ' daughter Chloe's student digs. We each had our own room as most of the residents were away for the bank holiday weekend. Payment was a sketch of Captain Picard. A very fair price for three nights accomodation in London! It'd be great if I could trade art for other things too. Two Picard's and a Shatner for a weekly shop for example.
On the train ride out to Chloe's, Russ pointed out the tube station where a scene from Rogue One was filmed. When we arrived on Chloe's street Russ couldn't remember the house number. He said he'd recognise it from the back (it's part of a complex) because it was the farthest on the left. I've no idea why he didn't recognise it as the farthest on the right from the main street (it was). He thought it may have been number 9. It was 6.


A3 Spidey watercolour I did to sell at the con

I slept for about 7 minutes because I was panicking about my eyes On the Saturday, upon arriving a few minutes before the con started we went for a look round. Jeff was lying under a table. His hair was even brighter blue for some reason. I considered accepting his offer of sharing a meal out but it was important that Russ stayed calm. Jeff likes to wind Russ up about his daughter Chloe. It may have proved terminal on this occasion. I managed to find a copy of an issue of Superboy I'd wanted since the mid 80's. Russ was blown away by how good the story was. It's issue 132 if you're interested. I also picked up a low grade copy of #147 with the awesome Swan/Adams art on the cover.
I found the Saturday was pretty quiet. It was also a different crowd from the Friday, people out for the day, kids, some cosplayers (not at all the same number as usual though). I got to know Chris Weston a little (great guy as well as a great artist drawing very underpriced yet very impressive and versatile sketches!). Turns out he's been working on The Last Jedi in the character design department.


Harley sketch cover that was for sale

Had a long chat with John Bamber about what the last strip I drew for his Mythtakes series was. He insisted it was the 9th Legion. I had no recollection of that at all...it took me until Monday morning to realise I had drawn it and it was one of the best strips I did for the book! You were right after all John.

Saturday evening we ate at Chipolte. I'd been a fan since I had a burrito from there whilst at the Baltimore con a couple of years ago. After returning to our 'hotel' we tried playing the sketch game (for those unfamiliar the idea is to pick an artist, alive or dead, and then to name the character you'd most like them to draw. There are right and wrong answers, for example: Romita Sr; Gwen Stacy is the corret answer, Green Goblin is wrong). However, Chloe's absolute lack of comic knowledge ended that pretty quickly so we moved onto 'guess the song and artist' using Spotify. Turns out that Russ doesn't know anything about music from the 80's or in fact any era (except irritating guff and one trick 'funny' artists.)


I look despondant in this picture from the con but I wasn't. I was probably just tired. Actually, it's probably just Russ' lack of skill at taking photos.

The con was different again on Sunday, quiet but busier than Saturday with a more art and comic fan based vibe from the crowd. The convention, overall, felt like 3 different cons in one, which I've never experienced before. It was unfortunate that there were the train station closures to contend with and also the Notting Hill festival compounding the travel situation. The con was great though as it was well organised and friendly and there was a lot of merchandise choice there for fans as well as many artists and writers in attendance. I will say that the Sunday did feel a little rushed as part of it closed at 2, part at 3 and the panel part of the con after that.

The plan was to visit the National Portrait Gallery afterwards. The Angel tube station was closed because of some kind of fire alarm warning. It was an 800 metre walk to the next one and Russ wasn't sure he could make it at first but harnessing an inner strength and fortitude previously unseen, he did. We spent about half an hour in the gallery and there was a  nice Holbein drawing of Henry the 8th. Russ fooled me into looking at some modern stuff but I scarpered before I lost it.

Fifteen minutes before closing time we entered the National Gallery next door. It'd been over 20 years since I'd been there and I had no idea where the good stuff was anymore. I was hoping to view some Holbein art (last time I was at the gallery I had no idea or appreciation of how good he was. Also, I hadn't spent 3 years writing a book set during Tudor times then either). As we were being ushered out at closing time I spotted one in an adjacent room and the guard was kind enough to let me go! Fantastic.


A really great painting by Hans Holbein the younger. 1533. Note the weird shape at the bottom of the pic.


Here's the weird shape when seen from an acute angle. Pretty nifty for a painting that's almost 500 years old!

We ate at MOD where you get to build your own pizza. Basically Subway but for pizzas. Excellent. It was then decided that we dump our folders (I was hoping Russ would lose his or throw it in the Thames) back at Chloe's and then head to The Grapes. This was what I'd wanted to do all along so to have Russ and Chloe suggest it was perfect. Originally built in Elizabethan times (the current pub dates back to about 1720) it was about as close to a Tudor pub as I could hope for. I didn't know that Gandalf''s staff from LoTR was behind the bar either! There was a balcony overlooking the river where we sat and chatted until closing time. Russ had a Bloody Mary to complete his night off from adhering to his new no cheese, no alcohol lifestyle.



Me, in the Grapes. Awful photo by Russ and his weak camera. You can possibly make out Gandalf's staff behind the counter.


The view from the balcony of The Grapes. If you imagine loads of wherries on the river and less lights it could be 500 years ago...

Russ eventually passed out at about 2AM. My eyes had been feeling better so I didnt use the drops. Epic fail. I was almsot blind with gack and grit-in-eye-like pain on Monday morning. The journey back was peaceful and relaxing. The weather changed as we headed North, it always does. Malcolm Bourne, writer and doctor, joined us for a time and we spoke about the comic industry, publishing, comic cons etc. Then we started to talk about the book...maybe it was the Holbein art, maybe it was sitting in a pub where Shakespeare may have frequented but I began to believe that the project could be salvaged. I'll no doubt regret the decision deeply.


Russ' car upon returning the Poulton-Le-Fylde. A mixture of fruit and bird excrement. 

I did enjoy coming home the day after the convention ended instead of late at night. Russ enjoyed not driving (every con I go to I find yet another artist who can't drive (Gary Erskine this time!)). Preston station was a disaster. 475 people trying to board a two carriage train that was already full, cases all over the place, kids hanging off the roof, old people underfoot. Maybe I should move somewhere south of Preston station to avoid the place...

In conclusion, the new style con had many fine points and was a success; well organised, friendly atmosphere, great venue, relaxed, the fans loved the space, good selection of merchandise that was 90% comic based, good selection of guests, both writers and artists. Easy access by Tube (well, discounting all the closed stations), plenty of places to eat nearby. I think the timing of the con could've been better and I think that the date (and unfortunate travel situations) affected attendance. I do prefer the February/March date myself!

My eyes still aren't right...Hope to be back next year.

Here's a late addition, Russ Payne's version of events...here









Wednesday, 23 August 2017

LSCC latest!

I've finished all the commissions for the con (except those that I've agreed with people to finish after the con!). I'll be sketching at table 116 with Dan Slott and Chris Weston either side of me. I imagine they'll have queues that are slightly longer than mine (I did paint a cover of She-Hulk that Dan had written once, there's a tenuous connection!) so just follow the long queue and I'll be in that area. I have no banner this year as I'll be travelling by train and have enough stuff to carry already but it shouldn't be a massive challenge to find me.

Sat at my table will be Russ Payne, still recovering from his heart attack and appearing a lot thinner than he used to after having to give up cheese and most other tasty foods. Thankfully his right hand hurts too much for him to be able to 'sketch' at the con. He's supposed to be amibdextrous though so he may surprise...He'll be representing the Kirby museum and doing a panel about Jack with Dan Slott and Mark Buckingham at some juncture through the weekend.

I'll be arriving in London on Friday lunchtime, hopefully in time for the start of the convention. If I'm not there at the beginning then look on Facebook for updates (yes, I've entered the 21st Century and have a phone capable of doing such things!).
I'm not entirely certain how far Russ will be able to walk yet (it's early days) so that may figure into things also. Russ won't have his box of knock-off and ill advised rubbish to peddle as he can't carry heavy loads and I refuse to contaminate my hands with it.
I'll be sketching for free all weekend. I'm not taking requests before the start of the con. If you want a free sketch then come on over to the table and I'll add you to the list!

I'll have some pre-done sketches to sell over the weekend, some original art (anyone want to buy a Marvel Apes painted cover?) too. Outside of the likenesses on sketchcovers I'll have a small selection of watercolour sketches, not Copic with a wash, but actual watercolours...it's a new thing I've started. I found there was a limit to the number of Copic sketches I could do before they all started to seem the same...so I diversified! Also, as I was primarily a painter of covers,  I figured that doing painted sketches would be more fitting. If you plan to get anything from me that you want to give to Scott's Collectables for CGC then talk to me at the time of purchase so all the correct procedure is followed.

I'm looking forward to the con as it's always been one that's concerned with and concentrated on comics and has guests who've actually worked in the industry. There are very, very few cons that can say that in the UK.

See you there!



Friday, 11 August 2017

Some LSCC updates!

Just two weeks away from the Super Con and a lot has happened since my last update. The intent was to travel down with Russ Payne who would be sharing my table at the event and doing some Kirby related talks. However, two weeks ago he had a mild heart attack, was hospitalised and had a procedure to keep him alive. So he can't drive us to the con. He thinks he can but really, he can't. Russ is still coming to terms with the fact that he isn't 18 anymore. He'll get there. One solution for the future of our road trips is that I learn to drive. It may happen...I don't think I'll be any good at it, but I may need to. Not because of Russ but because my wife might end me soon if I don't.

So, still determined to go, we're looking at trains. What a pity that there are a lot of important train stations shut that weekend in London. Bank holiday weekend in August...let's shut some stations. Ideal! (I'm very close to boycotting British Rail after a particularly inept sequence of events on a journey from Liverpool today. The final straw was arriving late to Preston to be innundated with train officials asking to see my ticket every 4 steps, why?) I did consider using National Express to get to LSCC. The overnight bus on Thursday, we could sleep and arrive in time for the start I figured...but then I rcalled that I used their coaches regularly whilst at unversity and I know we'd set off at 10pm Thursday and arrive in London just as the con was finishing on Sunday. 

On a positive note, I returned from a week with friends in Italy today and I had a very pleasant flight experience with Blue Air. I questioned their existence when my wife booked the seats but, upon arriving at Liverpool airport, there they were! Better yet, the staff smiled and were helpful and chatty and there was even a free sandwich and drink on the short flights (that arrived early both ways as an added bonus!). A refreshing change from Ryanair (and, in this case, £800 cheaper too). 

I can't accept anymore commissions for LSCC. The pre-con list is closed!! I can accept commissions that I can do afterwards but not in time for the con itself. I've taken on many commissions (some I've managed to defer until Thoughtbubble, thankyou to those kind people!) but I still want to draw some more pieces to sell at the con! Been a very interesting mix of pieces this year, from cover recreations to Swamp Thing, Victorian art to Star Wars droids...

Here are some already finished sketchcovers that will be for sale at the con (and a Spider Gwen A3 one that was a commission). Mainly Batman ones but there are hopefully going to be plenty of other chracters to choose from too, I just had a jones to draw some Batman TV pieces. I'll have regular comic book sketches as well as the likeness ones, watercolour too (not the Copics with a colourwash, but true watercolours). I'll post those when they're done.












Friday, 23 June 2017

Prices update...and some more ramblings about blank sketchcover quality.

COVER RECREATIONS ON BLANK VARIANTS

I'm being asked to draw more and more cover recreations on blank variants. After taking on some complicated ones I've arrived at the (obvious) realisation that they take a lot longer than regular sketchcovers (who'd have thought that?). So, I'm going to charge a basic rate of £75 for a cover recreation on a blank. Wraparound covers will be twice the price. Colour can be negotiated!
Anyone who is currently on my list for recreation blanks the original price still applies.

BLANK VARIANTS

Well, I have to admit, I was in error. I've found a blank variant that's so bad that I can't actually draw on it. And it's published by DC. Adventures of Supergirl #3...the cover stock is so thin that a pencil would go straight through it, in fact, it's so thin that you can see not only the image printed on the reverse of the cover but the images on the first page of the comic when looking at it. It reminds me of that toilet paper that you used to get as standard in UK high school's during the 1980's, the greaseproof stuff that was entirely unsuited for the purpose it was created.





Tuesday, 6 June 2017

LSCC: London Super Comic Con and some other stuff that a few people may be interested in...

LSCC. 

A reminder that I'll be sketching all weekend (including the Friday) at London Super Comic Con at the end of August. If you want a commission doing then make sure you don't leave it too late as I'll have a lot to get ready in the weeks leading up to the convvention. Here's a few recent pieces for anyone not familiar with my work. 











As always I'll be sketching for free at the con itself. They won't be as detailed as the pieces above as they'll be quicker and under less than ideal conditions but they are free. Why free? It takes the pressure off mainly but also, I like sketching for free. Unless they get slapped on Ebay soon afterwards which is irksome. 

I plan to bring a good selection of sketches and sketchcovers with me to sell also. Possibly some watercolours as I've discovered I can use them recently!

THE BOOK I'VE SEEMINGLY BEEN WORKING ON FOREVER.

Actually it's been around 2 1/2 years but still, it's been some time! I had a book summit with my co-author (or am I his co-author? Meh, I'll take the lead) a few weeks ago where we managed, over four hours or so, to complete a read through and detailed edit of the first two full chapters and a prologue. Surprising to the both of us was, after all the difficulties and several bouts of mutual animosity, that it read rather well, as if we'd planned the synchronicity. 
.
Currently, I'm reading through more of Russ' chapters awaiting the next summit that I've been assured will take place once he's finished posing as a comic artist/writer/colourist at various events around the country (read his latest blog Here...some of what he says is true). He's very close to finishing his part of the book...it'll be next week. It's been 'next week' since June 2016 but we're getting there, really. Everything is positive. That isn't just because Russ totally removed a couple of chapters that were terrible, it's because it's coming together. I'm messing about with book two right now, changing a good chunk of it as it was utter pap and was headed towards being about 30,000 words too long. 

Book one ends on a cliffhanger, in fact two different cliffhangers. I'm not going to explain that right now but it's cool. It's about one hundred thousand words long and is written in first person from, I'd like to say, 5 different character viewpoints. I have three myself...not sure about Russ as he's rewritten some of the chapters totally. Russ has also decided to base a couple of chapters around homework as the word homework is in the title and previously there was no mention of it at all. Russ' section is no longer a comedy either yet it contains some very funny passages. One of his characters, Butcher, I really enjoy reading. All of the above makes me...happy.

We're still hoping to publish the thing this year. Once we've edited it we're sending it out to several people for proofreading while we finalise the cover art and copy (I'll be drawing that, probably doing the copy also) and, if we're still speaking, make a short promotional video. Russ will be filming, I'll be playing one character (really it's so I can have a Tudor hat made for myself) and we're trying to source a very tall person to play the main protagonist. 

BLANK VARIANTS, SOME THOUGHTS

There are many sketchcovers that are good to draw on. By that, I mean that they accept pencil, ink and Copic markers without issue, watercolour too. Some though, are awful. What's this about, another beef regarding something irrelevant?

No. I'm making a point that, although I'm generally happy to draw on whatever blank variant there are certain brands that it's a massive struggle to make look good as I'll be fighting the thing at every stage. When an artist has issue with the surface of a blank variant, it's usually not because they're being difficult, blaming their tools for their own inadequacy, it's because it's a terrible surface to draw on. Some blanks are so bad that the ink won't dry for an hour and looks like oil on water, Copics won't stick or blend and again, slide across the 'paper' and watercolours laugh at the sheer audacity of expecting them to work in any way whatsoever in the manner in which they should.

So, here's a rundown of blank variants and their quality of surface to draw upon.

DC are pretty fine to pencil, marker, ink or paint on, always have been, no issues there. Fair play, well done. IDW, they're pretty good, the odd one has fought me from time to time but pretty good. 
Marvel, totally mixed bag. Anything from '16 on are fine and I've no issues with at all. Earlier though and there's a fair few blanks that are shiny disasters that Sharpies will be fine on but are a lot more difficult to draw on with anything else. And why publish blanks with a massive circular logo in the middle of the cover? Odd to say the least. But they are still manageable although Copics don't function as well as they should at all and generally, Copics (the pro ones anyway) are great, adaptable and versatile. Except when skating across a Marvel blank panicking as they've no idea what's happening to them.
Dynamite...they repel pretty much every tool ever made, even pencil. Yes, you can draw something on them but it's a lot easier for everyone involved if we just pretend they don't exist. 







Friday, 12 May 2017

Commissions and sketchcovers

I'm being asked to do more sketchcovers than ever (which is great) so I thought it'd be timely to post some examples with prices that people can link to. If you have blanks that you'd like me to draw the commission on, great, you can send them to me. I do also have a selection of blanks in stock.

If you need a commission for a specific con (ie. a Stan Lee for San Diego) so that you can get the book signed by an actor/actress or artist, then make sure you give me enough time to draw the piece and get it back to you in time! Sometimes I can fulfill a last minute request but not always!!

I also work with Scott's Collectables (for example with the recent Mark Hamill signing) so if you're looking to get a book that I've sketched slabbed or consign a book to them to get signed by an actor then I can send it straight to Scott's with the relevant forms to verify that I drew and signed the art.

So, here are some examples...first up, b/w single figure sketchcovers, copic, pencil and ink. £45










Colour sketchcovers £55







The following would be examples of pieces that are priced on a per job basis and would include multiple figures, detailed backgrounds and cover recreations.




Wraparounds are twice the price.


And some examples of pieces that've been slabbed via Scott's Collectables after being signed by an actor, in this case, Mark Hamill.